WTF- Did Eurovision Just Host a Real-Life Satanic Ritual on Stage? [Video]

Daphne Moon 0 2 min read

Irish artist Bambie Ray Robinson stunned the audience at the Eurovision Song Contest with a disturbing display on Tuesday. The self-proclaimed “witch” and “non-binary” performer, who goes by the stage name “Bambie Thug,” presented what can only be described as a satanic ritual during her performance.

The singer’s act included rising up from a pentagram on stage, surrounded by candles and dressed in all black with a headpiece resembling devil horns. She also utilized a demonic possession reenactment and wore a body stocking with bondage gear while surrounded by fire. The performance was also accompanied by lyrics referencing spells and destruction from the “Harry Potter” books.

Robinson has been vocal about her disdain for Israel, which was participating in the contest. She and her team were upset over Israel’s advancement to the semifinals and has been seen wearing a Palestinian keffiyeh and pro-Palestinian slogans on her costume. However, she has no qualms about performing a satanic ritual on stage in front of a national audience.

On social media, a video of Robinson’s performance was shared with the warning, “A satanic ritual was performed on stage at Eurovision 2024. God save Europe.” The video also included a voiceover stating, “At the end of this clip, there is some demonic possession being re-enacted.”

While her act ultimately placed her third overall, it received only 136 points from the public vote. In comparison, the winner, Israel’s Eden Golan, received 323 points from the public vote. This shows that the majority of the audience preferred a more traditional performance over Robinson’s satanic display.

In his writings, G.K. Chesterton once stated, “When men stop believing in God they don’t believe in nothing; they believe in anything.” This is evident in Robinson’s performance at Eurovision. In the absence of a belief in God, some will turn to alternate forms of religion or seek fulfillment through false idols such as fame and pleasure. Robinson’s embrace of dark, druidic paganism serves as a prime example of this.

It is clear that, for post-Christian Europe, rejecting God has not led to enlightenment, but rather a return to pagan darkness. This desperate search for something to fill the void left by the absence of God has led to an acceptance of satanism and neo-paganism, as seen in Robinson’s performance.

However, as history has shown us, making a deal with the devil will ultimately lead to destruction. The parallel between Robinson and other figures such as Dr. Jekyll and Dr. Faustus is evident. In the end, the pursuit of false religions and idols will only bring harm.

Despite the unsettling nature of Robinson’s performance, there is some solace to be found in the fact that, as with the witches who tried to curse former President Donald Trump, she inadvertently becomes an advertisement for Israel’s cause. If someone like Robinson, who embraces satanism, is against Israel, it goes to show that the country must be doing something right.

In conclusion, Robinson’s performance at the Eurovision Song Contest serves as a stark reminder of the dangers of rejecting God and turning to alternate forms of religion. It also highlights the importance of staying true to one’s values and beliefs, even in the face of dissent and opposition. As for Robinson, we can only pray that she finds her way back to the light and away from the darkness of satanism.

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